James C. Modern Christian Thought Volume 1 The...

Book Review: Livingston, James C. Modern Christian Thought Volume 1: The Enlightenment and the Nineteenth Century. 2nd Ed. Minneapolis: Fortress Press, 1997. ISBN-13: 978-0-8006-3795-8. 448. pp. (Kindle Edition: 10285 locations). By: TidSureyah Tach, ID# 339560 October 21st, 2014 Bibliographic data: James C. Livingston (died July 31st, 2011 at age 81) was a faculty member in Religious Studies and administration at the College of William and Mary from 1968 to 1998. Professor Livingston was the founding chair of the Department of Religion, when he earned a promotion to full professor in 1973. He became the Walter G. Mason Professor of Religion in 1986. Beyond serving in major committees, Livingston was also the first dean of the undergraduate program. Author and credentials: In 1994, Livingston received the Thomas Jefferson Award (highest honor from his teaching College). He authored and/or edited 11 books and wrote more than 100 articles. Two of his books were widely used (Modern Christian Though—first published in 1997, and The Anatomy of the Sacred). Furthermore, he received fellowships from the American Council of Learned Societies, National Endowment for the Humanities and the Woodrow Wilson International Center for Scholars. The subject of the book, author’s purpose and intended audience: The history of Christian thought in the modern era was a quest of today’s Christian. Faith in a multi-denominational society decreases a sense of belonging. Since the Enlightenment someShow MoreRelatedPatriotism and the Youth in India3101 Words   |  13 Pages1 1 How, When and Where How Important are Dates? There was a time when historians were fascinated with dates. There were heated debates about the dates on which rulers were crowned or battles were fought. In the common-sense notion, history was synonymous with dates. 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The Perception Of The Police Officer - 1287 Words

Abstract One of the biggest questions we face today involves the perception of the police? What is the perception of how we look at our officials in law enforcement? Is this something that’s based on personal experiences? Is it media driven? Over the last year, we’ve had to examples in the media that pertains to this discussion. In Ferguson, MO there was the Michael Brown case involving the shooting of an unarmed man by police officer Darrin Wilson. There was the death of Eric Garner involving the New York Police Department. Depending on what media news outlet you’ve watched, the reader was given different point of views. On some news channels, the media outlets played the role that the person killed was committing no crime. On another†¦show more content†¦(Engel 2005) states that since most citizens have very limited contact with the police, the media tends to shape beliefs and expectations about the police, especially given the growing rise in the amount of cri me-related media over the last thirty years. The way that crime is being covered, it’s coverage with the media is growing. The growing coverage of crime in the media also brings in a huge profit to these media companies. According to (McCall 2007), roughly about a third of all new stories on television and in papers are related to the police and or crimes. In the last decade, the only terrorism and war stories that have surpassed crime in the America. News organizations gather their information on what the public wants and needs based on the constant polling that these media organizations conduct. The media knows that sensationalism and violence equals ratings. The news companies that when they’re able to send a reporter or a correspondent into the field of danger, this creates drama and draws a larger viewing audience. The sensationalism of crime on the news has also resulted in an enormous amount of crime shows and movies being developed over the years. Almost a third of the top 40 shows on television in the mid 2000’s had to do with crime (Phillips and Frost 2010). With all of these shows on television, some wonder

Hhhhhh Essay Example For Students

Hhhhhh Essay hitchcockVertigo stars James Stewart as Scottie, a retired detective, and Kim Novak as Judy Barton, who gets disguised as Madeleine, a woman hired by Scotties friend to act as his wife in order to frame Scottie. The story takes place in San Francisco in the 1950s. The film opens on a high building, where officer Scottie and his partner are in pursuit of a suspect. Scotties partners life is on the line and only he can save him. Unfortunately, he has vertigo, a fear of heights. Scottie is unable to assist his partner who unfortunately falls to his death. Hitchcock underlines Scotties fear of heights by using intense music and a birds eye view of the street below, to give the viewer an impression of height. Closeups of Scotties face demonstrate his obsessive fear, hence making it more realistic to the audience. As the story develops, Scottie falls deeply in love with Madeleine, a beautiful young blonde woman. Madeleine later runs up the stairs of a church, unsuccessfully pursued by Scot tie, and jumps off the roof killing herself, or so Scottie thought. Here again, the camera angles play an important role in demonstrating Scotties fear of heights, as a spiralling effect is used to shoot the staircase. As the story develops, Scottie gets admitted to a psychiatric unit. His mental and emotional confusion is illustrated by chaotic music. When he meets a young woman named Judy Barton, who bears a striking resemblance to the late Madeleine, Hitch really takes advantage of color in a scene in Judys apartment. Fog, typical to San Francisco, combined with green light coming from a neon sign in the street, give the scene a remarkable, almost divine effect. In order for Scottie to overcome the trauma he suffered when he lost Madeleine, he drives Judy to the same church and asks her to run up the stairs in an attempt to reproduce the sequence of events leading up to Madeleines death. Shockingly, Judy really jumps off the roof, thus abruptly ending the story. An Internet revie w points out that the Vertigo script reads: There is a flower stand known to all San Franciscans at the curb opposite the main entrance to Gumps. Scottie and Judy have stopped there to pick a flower for her to wear Amazingly, this flower stand still exists, although it is no longer the wood frame structure as seen in the film, (its now made of black steel). Gumps has since moved one block down Post Street. (http://www.widescreencinema.com/vertigo/tour.htm) Vertigo has two characteristics common to many Hitchcock masterpieces: the presence of a young beautiful blonde woman, and the main characters weakness, in this case, Scotties vertigo. Like all of Hitchcocks movies, suspense is omni-present, and the story generates a strong reaction from every viewer. The abrupt ending makes the film stand out, and the complexity of the plot as well as the expressed values of love and passion, in addition to the themes of reality and tragedy, make this classic worthy of being on the list of the Top-100 movies of all time. According to critically acclaimed movie critic Martin Siberok, this is Hitchcock at his cynical best a story of human obsession and psychological instability, exploitation and guilt. Hitchs message in this movie is to face our fears in order to go on with our lives.